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Convent Crescent: Official Soundtrack

by Various Artists

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  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

    Also includes the novel, 'Convent Crescent' by Chris Newton & Zowie Swan as an ePub, and a 'prologue' video.
    Purchasable with gift card

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  • Convent Crescent ULTIMATE EDITION
    Compact Disc (CD) + Digital Album

    The new album from Dischord, featuring:

    Convent Crescent hardback novel (signed and dedicated)
    Convent Crescent soundtrack album on CD
    16 Page album booklet
    Convent Crescent soundtrack mixed tape with customised inlay
    Limited edition set of 'Who's There' playing cards.
    'Who's There' T -Shirt (available in L,XL, XXL)
    4 Badges
    Convent Crescent eBook download
    Convent Crescent soundtrack digital download

    Includes unlimited streaming of Convent Crescent: Official Soundtrack via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Convent Crescent: Novel & Soundtrack Edition
    Compact Disc (CD) + Digital Album

    280 page Hardback Novel
    13 Track Soundtrack CD
    16 page album lyric booklet
    1 set of 'Who's There?' Playing Cards

    Includes unlimited streaming of Convent Crescent: Official Soundtrack via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
2.
They’re boarding the windows And changing the locks Disconnecting the pipes And winding the clocks The soul of this home carried out in a box Past a ‘For Sale’ sign Now his heart has…
3.
Act One. Scene One. It feels so cold since you’ve been gone And beat by beat The heartbreak clouds the memory Plot point - you know the score Protagonist tries to restore Disequilibrium you caused By shuffling off this mortal coil Fade to white: close my eyes It’s as if you’re still alive Cut to black, no turning back With my fingers on the glass Is anybody there? Who’s there? Act three. Scene four. I’ve never been this scared before Not scared of ghosts I’m scared there’s nothing waiting once we croak Plot point - you know the drill Protagonist is looking thrilled Equilibrium returns as the glass spells out a word Cut the music Kill the lights There ain’t nothing else to see tonight Deleted scene: (Never to be seen) You said “I’m sleeping, go away And I never loved you anyway.” That script was stuffed into a drawer Along with all your faults and flaws And the pieces of our lives On the cutting room floor.
4.
Tread softly my child When Beltane is nigh In the light of the blood red moon On the first night of May Come take me away In the light of the blood red moon Come into the fields On All Hallows Eve In the light of the blood red moon At the death of the year When winter is near In the light of the blood red moon We whispered the spell and all Witch County heard But god has not said a word We danced on The Hill with the beasts and the birds But god has not said a word Surrender your soul You’ll have anything Anything that you would request For milk and for grain And revenge for our pain A black dog to nurse at my breast A picture of clay Will take life away In the fire of the dying sun On midsummer’s night We’ll set it alight In the fire of the dying sun Drink deeply Sleep sweetly I confessed all my sins and the minister heard But god has not said a word I swung from a rope in view of the world But god has not said a word.
5.
Sister, sister I have sinned They made me do it again Closing my eyes and wondering why I start to cry Mother Mary, am I blessed Or have I failed your test Biting my lip and counting rosaries I start to bleed Our prayers are falling on deaf ears Our sins are always near Tell me Padre can you hear me “One Our Father, Three Hail Marys” Father, forgive me I have lied There’s nothing pure inside Holding my breath as I confess And you undress And I’m still trying to fill the void All of your holy books devoid of meaning I’m still trying to fill the void But still something here is feeding Mea culpa, Mea maxima culpa No one hear can make me whole And cure my sin sick soul.
6.
Cut off your nose to spite your race And carve a smile into your fucking face With nitrous oxide in our lungs We’ll sing our happy songs Now every day’s a carnevale Where we are the meat And (s)laughter is best medicine So get on your fucking knees Rape the saviour’s mouth All the world is laughing now The clown wears the angel wings Now the harlequin is king Kill the king They laugh. We sleep So get on your fucking knees There’s no rage in the harequinade motorcade Bowling for Columbina Where all the punchlines bruise After the laughter’s gone This time you’re going to lose Cut off your nose to spite your race And carve a smile into your fucking face For post-satyrant overlords That joke is funny nevermore.
7.
I kissed my senorita Beneath the crescent moon And I prayed the daylight It don’t come to soon Shipped away to far off lands To spill my blood on foreign sands But like the stars all in the sky Our true love shines So serenade the silver heavens Time can never break our vow Serenade the silver heavens And I will hear somehow I wrote my love a letter Each night and everyday And I hoped and prayed That no harm would come my way Up the Nile upon command We trekked across the desert sands But like Orion’s guiding light Our love still shines Our enemies surround us The one thing that keeps me sane Is this picture of you In its broken frame Heard the blast and closed my eyes Prayed to god “Don’t let me die.” Nothing in heaven can compare To my love so fair Back home they told me Of the raids and those they killed Marched off while you were sleeping Returned to find you sleeping still Sailed away to unknown lands Taken by the ferryman But like long dead stars in the sky Our love still shines So serenade the silver heavens Death can never break our vow Serenade the silver heavens And I will hear somehow.
8.
As the bruises fade from blue to a sickly hue All that remains are the pieces of me and you And all I’ve got is a soul-shaped box Where those pieces of us are stored piled up Fall, fall into the deep Drown in negativity Fall, fall into the deep Where misery loves company Don’t think I’d hesitate When there’s poison in a glass that bears your name Raise a toast to the olden days And choke on hate Never alone on your own Alone in your own Private hell As the bruises fade from blue to a sickly hue All that remains are the pieces of me and you And this is where you’ll always stay A hades tailor made for all your betrayals.
9.
Your ink ran before it was dry I’ve read these love letters a thousand times I trace the strokes of your pen I’ve read these love letters again and again Press pause when I say I don’t even want to know your name We are the children of the wrong revolution We’re analogue trash, we lost our way When love was lost to devolution We are cassettes that have never been played A plastic letter from the past We can’t return to the sender There was no way back for us So we burned it to cinders We made emotions into mixed tapes A polaroid of the soul We downloaded a future But not the future they sold.
10.
She flutters like a wren Stained by the blood of Christ Decoding my emotions through the war Sharpening her beak On the diamond mountain slopes Until the mountain stands no more Floating over all She watches towns and empires fall In blood and death The redbreast spreads her wings And when the guns have ceased The redbreast sings As poisonous as mistletoe She's perched above my door The witches and the demons kept at bay Sharpening her beak On the diamond mountain slopes Until the mountain range is worn away You saw her beauty You clipped her wings I'll make you understand Why the caged bird sings You feared her power You sweat to think Your ivory tower is crumbling.
11.
We’re the wind that’s howling in the night Dark tomes in libraries forever out of sight The torments you inflict on yourself The spine that you are always drawn to on the shelf And when I ask her what she thinks of our books She says she’s too afraid to look And when she tries to say our name She chokes she’s so ashamed And when I ask her what we are She says: Insatiable We’re the things you wish you didn’t know Night thoughts within your mind that you will never own The secrets you keep from yourself The spine that you are always drawn to on the shelf Daughters and sons black your thumbs Bleed and feed the ancient ones.
12.
Come back to me ’Cause I can’t find you I listen for your voice But your words are fading And the crescent moon is waning H-A-U-N-T-I-N-G Ride the ghost train through our memories H-A-U-N-T-I-N-G White lies we tell ourselves just so we can sleep I need to find a way Summer in the cemetery I’m calling out your name We try to live among these graves But the crescent moon it wanes You can’t run You can’t hide It will haunt you when it dies No surrender No escape You shadow every step I take.
13.

about

In March 2018, Zowie and I released a short horror film, ‘Convent Crescent’. We knew it was only the beginning of a much longer story. What we didn’t realise at the time was that it was also the beginning of a new Dischord album.

In 2016 we released our third album, ‘War Or Peace’. It was our proudest achievement at the time; a concept album about war, death, love, forgiveness and, well, peace. The album’s final track, ‘Love’ became our favourite track to play live, and closed that album with our most important lyric: “They call me blind, but my name is peace. I am the silence when the guns have ceased.”

The problem with writing your best album is the subsequent question: what comes next? Fast forward to 2019 – imagine a Hellish time-jump montage of Brexit negotiations, Theresa May dancing to Abba, Boris Johnson shuffling into no. 10, Tommy Robinson covered in milkshake, Mosque attacks, John Lydon sporting his ‘Make America Great Again’, school shootings and Donald Trump mocking the disabled – a post-satirical dystopia seemingly designed by Quentin Blake and Spitting Image on a particularly bad day. Ample fodder, we were repeatedly told, for a political punk band.

But fodder for what, exactly? Evolution has always been integral to our writing process. We’ve never wanted to repeat ourselves. Ultimately, the point of ‘War or Peace’ was that war, political corruption, religious extremism, nationalism, terrorism and suffering are universal, self-perpetuating and doomed to continue indefinitely without drastic systemic upheaval… Despite the reign of leaders so grotesque as to be utterly immune to parody, nothing has changed. There is nothing to say we haven’t already said – and continue to say on stage every night. There are only so many punk songs you can write before they all begin to sound the same.

Having taken ‘punk’ as far as we could without repeating ourselves, we were faced with a dilemma: could we change our focus, push our style to the point where we risked no longer being ‘Dischord’? And, what the hell was ‘Dischord’ anyway? A band who played three minute fast, shouty songs, or four people pouring every ounce of their souls into their instruments?

Should we split up? Start a new band? That would be too easy. Should we grit our teeth and write a hardcore album about ‘Brexit Britain’? That seemed about the least punk rock thing we could do. That’s what you’d expect from us.

Why not evolve? Why not take a risk? As strange as it sounds now, Seaside Suicide was a risk. Prior to that we had never played hardcore punk. We didn’t know we could do it. We didn’t know if people would connect with it if we did.

So we set ourselves a challenge. Many artists we admired – from David Bowie to The Beatles – reinvented themselves from album to album, using new personas to find fresh perspectives and create new sounds. If they could reinvent themselves with each record, why couldn’t reinvent ourselves with each song?

What if Dischord wrote the soundtrack to Convent Crescent?

Ten tracks performed by ten different ‘bands’, each one of them Dischord in disguise. It was the perfect opportunity to shake things up. For me to get back behind the drums, to let Jake demonstrate his abilities as a guitarist and – more importantly – a producer, to let Zowie take on lead vocals, for Dave to hang up the Gibson and break out the Spanish guitars, 12 strings and effects pedals, to open our studio doors to a variety of guest musicians.

So began the creation of one the most insidious concept albums ever written. A novel and its soundtrack written simultaneously, with songs for once not written to flow together, but written deliberately to jar, to contradict each other, whilst surreptitiously forming an elaborate concept – a narrative told in secret.

We’ve always said that the album was the ultimate artform, the perfect combination of music, film, art and poetry. We’re taking that to its extreme with this album: A record, a novel and a short film all in one, combining to tell a complete story.

‘War or Peace’ declared love to be the solution, and we thought that was a full stop, but now we’re exploring what that actually means. ‘Convent Crescent’ is a story of love. It is also a story of death, rape, murder, demonic possession, sacrifice, addiction and loss because it’s written by the same damaged minds that brought you ‘The Wakes’, but ultimately it’s about love.

For our last album, we designed a set of tarot cards, featuring characters representing the albums’ themes: The Soldier, Death, Love, War and The Devil. ‘Convent Crescent’ is their story, and if you think we’re not angry, you’re not paying attention.

credits

released October 31, 2019

‘Convent Crescent’
Music and words by Dischord
Dischord are: Chris Newton, David Swan, Zowie Swan, Jake Fenton
On this recording:
Chris Newton: Vocals, drums (track 5), bodhran (track 4), percussion (tracks 7&9)
David Swan: Electric and acoustic guitars, 12-string guitar (tracks 4&13), Spanish guitar (tracks 5, 7&12), Backing vocals
Zowie Swan: Bass guitars, Lead vocals (tracks 4&5), backing vocals
Jake Fenton: Drums, lead guitar (track 5), programming (tracks 6&12), engineering.
Sarah Templeton: Vocals (track 2)
Paul Richardson: Ukulele (track 2)
Ian Newton: Mandolin and octave mandolin (track 4)
Rory Gordjeiko: Trumpet (track 7)
Mark Charlesworth: Vocals (track 9)
Tracks 1&13 remixed by DoomWitch

Recorded, engineered and mixed by Jake Fenton at J.F. Studios.

Mastered by Ronnie Bomb.

Lickerish Records LR004

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DISCHORD UK

“Ablaze with passion & melody, injected with a sing-a-long charm & more than capable of blowing you away with explosive riffage. The whole cacophony is emphasised by a bold and blazing frontman.”
- Fungalpunk

"Dischord are more punk than ever, thrashing anarchist anthems from the rooftops." - Dead Press

"The Wakes is an unrelenting juggernaut that leaves you feeling flame-licked."
- Punktastic
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